A little engine trouble won't stop us |
"I
told the boss this bike had problems," he grumbles, shaking his head. He has a singsong way of talking that makes
even complaints sound cheerful.
A
wiry guy of 28, with pinched grey eyes, a mess of short hair, and so
close-shaven I get razor burn looking at him, Ebert is a man of quick and constant movements. In less than a minute he's
breaking off a piece of wire from a sign to fix the bike with, and soon he's
contorted it to prop the choke open.
Amazingly, the bike starts.
After
twenty minutes we turn off the highway onto dirt roads that get steeper,
windier, narrower, and rougher for the next three hours.
We
ride through a series of villages where people wave as if we're celebrities,
and we have to stop repeatedly so someone can rush up and ask Ebert for advice,
or offer a gift.
"Faster?"
he asks as we get into the really steep stuff.
"No!"
I shout over the engine. "This is a
good pace." At some points we're so
close to the edge of the mountain I get a little dizzy, and we're dodging and
bouncing over rocks so hard it's all I can do not to fall off. Ebert rides like he's on the run.
We
power through a couple streams, but eventually one is too big, and I have to
dismount while Ebert walks the bike across. I notice him clenching and unclenching his
fists, and I'm embarrassed to realize I've been thinking only of my own
discomfort.
"Tired?"
I ask.
"Just
the hands," he smiles through clenched teeth.
Water break |
As
we get close to Avelino's house the road all but
disappears, and the going gets so steep the bike can barely make it. Before I know what's happened I'm pinned underneath
the bike and Ebert is sprawled on the ground in front of me. He's beside himself, grabbing and pulling me
up before checking himself or the bike, which has a broken mirror.
"I've
hurt you!" he says, stricken, as if I'm royalty.
"No,
I think it's all right. I'm not even
bleeding."
"Are
you sure?"
"Yeah,
just a bruised elbow. What about you?"
"My
knee…." he says, pulling up his pant leg to reveal more than a little bleeding,
and dirt in the wound.
"Here,
use this," I say, handing him some toilet paper. "But make sure you wash that with water
when we get to another stream."
"I've
never fallen before," he says, shaken.
Chasing poverty to the ends of the earth |
Ebert
studied agricultural engineering, so he's even more eager than Avelino to
explain the workings of the coffee farm, prompting a lively discussion about
heritage vs. hybrid strains of plants, the benefits of mulch, the productivity
of old plants vs. young, why hired workers don't harvest properly, and the
importance of optimal seedling spacing.
Sherwood Forest? |
"This
guy does a great job. I never really
thought about what to do with a loan, but he came out to visit, and he was so
polite, and he explained all the benefits, and I saw that this is how we
Peruvians can advance. 'How can you
improve your farm without capital?' he asked, and he was right. Now my plants are doing so well all my neighbors
want loans too."
Ebert demonstrating optimal harvesting technique |
"What
if the borrower defaults?" I ask Ebert after we bid farewell to Avelino.
He
shakes his head, smiling. "They
never default."
"How
can that be?"
"I
take care of my borrowers. If I hear
one's in trouble, I call him, or visit him, and we work something out. Maybe he needs more time, or a different
payment schedule, or a smaller loan. Or
maybe someone in the family is sick, and I can help them get to a doctor."
"But
surely there must be impossible cases. . ."
He
shakes his head again. "I don't let
a client take out a loan unless I know it's right for him. I talk to him, talk to his neighbors, get to
know his whole situation."
Photo break |
On
the way home Ebert regains his fearlessness.
Riding downhill is worse, because we go faster, and I keep sliding
forward and getting horrendous wedgies. Near
the bottom we stop for crackers and Cokes at a tiny shop where the old lady
can't believe our refusal of chairs. Ebert
is hobbling, almost as stiff as me. He
chats with the lady about cable TV service, the route back to the highway, the
weather, the state of her business and the world.
"Is
she your client?" I ask as we're getting back on the bike.
"No,"
he says. "Just a good person."
Macadam
feels so luxurious after hours of dirt that I dare to let go of the bike and
snap some photos.
Merry Men |
It's
getting dark by the time we reach Pucará, and Ebert drives straight to his
favorite restaurant--someone's house, really--where a jug of iced barley water and
two plates of chicken and rice seem like the best things in the world.
My
butt is numb, my left ankle has locked up, my fingers are blistered from
gripping the luggage rack, I'm walking like a cowboy, and I have to lean on the
arms of the chair to sit down.
"Long
ride, eh?" Ebert says, as I lower myself, wincing, into the chair.
"You
do this every day?" I marvel.
"Usually
I'm in the office in the morning, visiting clients in the afternoon. It's the same for all the loan officers."
"I
admire you guys. I don't think I could
do this every day."
"I
love this job--especially visiting clients.
Sure, the rides get a little long sometimes, and it's not so fun in the
rainy season, but it's always good to get out and talk to people, learn more
about them, see if you can help them somehow."
"You're
like Robin Hood, riding around on a motorcycle handing out money to poor
people."
"Like
this?" he says, pulling his hood up and darting his eyes around.
We
wolf down the food, and as I'm debating whether or not I should offer to buy
Ebert a beer, he lays down his knife and fork, wipes his mouth, and says,
"Same time tomorrow, then?"
"Can
we make it 8:00?" I suggest timidly.
"As
you say, friend," he smiles, and stands up, hand extended. "Until then."
In
a flash of the roaring motor he's gone.
Great story!
ReplyDeleteI love every word of every evocative piece. Thank you so much for sharing these moments in your life and bringing this world to all of us!
ReplyDeleteCompared to 11.29 and 12.15, this is by far my favorite piece. Lively in subject and expression. It's not fair, but maybe one extended look at Ebert is worth the several folks in the other two. Also, simply more action here. The other two pieces are fine, but this one really perks--and maybe hits longer and more directly on the virtues of Kiva's mission and people.
ReplyDelete